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A grim and gripping tragedy on this personal level, as a whole Loveless functions also as a metaphor for political life in contemporary Russia. The fatal fracturing of its relationship with its neighbour Ukraine provides a backdrop and, for the degeneration of Zhengya and Boris' marriage and the resultant alienation of their son, a touchstone.
Politicians like to talk family. They talk about their own during campaigns, to establish their credential as human beings. They talk about ours, the 'working families' and 'family values' upon which socio-economies rest. There is even a party called Family First. But let's get real. We wreck families all the time.
Last week, executives from Facebook, Google and Twitter had to answer questions about how their platforms were used to influence voters in the 2016 US elections. It is a significant moment. Other media like radio, newspapers and TV have never been grilled like this, though Fox News and The New York Times surely influence voters, too.
References to Watergate are flying thick and fast - again. Earlier this week, Donald Trump abruptly dismissed FBI director James Comey in the middle of a probe into Russian interference in the 2016 elections. It is difficult to overstate how bad this move is, and how much it has rattled political and bureaucratic firmaments. There are differences, however, between then and now. Trump is not Nixon, for one thing. Perhaps we can be thankful for that, in that infantile impetuosity is not paired with a much more cunning mind.
Hanson doesn't pretend to be religious. Her anti-Islam agenda isn't inspired by some rightwing evangelical passion like Danny Nalliah's nor by a conservative moralistic Catholicism like Cory Bernardi's. But she clearly can feel the pulse of many in the electorate who worry about terrorism and national security. Hanson's politics really only work when there is a 'them' for 'us' to worry about. But where does she get this idea that Islam is not a religion but an ideology?
This week the UN announced that more than 20 million people across four African countries face starvation in the coming months. As the World Food Program struggles to feed the starving, they are also reminding people that where there is great need in the world, there is often great waste. In Australia, the Department of Environment and Energy estimates food waste is costing households $8 billion every year. This is twice what the UN predicts it needs to cease a famine in four nations.
There's a gag about sitting in the back of the bus, the realities of segregation dismissed with a giggle; references to university sit-ins and firebombings come via the eyes of a cartoonishly earnest character. Meanwhile the White characters are either the object of contrived sympathy, or too thinly drawn to invoke genuine menace. Accusations of 'cultural appropriation' might be uncharitable, but the short shrift given to the real, continuing hardships of Black experience raises questions about objectives and authenticity.
Technicalities seldom withstand moral grievance. So it is with Philippine president Rodrigo Duterte's justification for allowing the remains of a reviled dictator to be buried at Libingan ng mga Bayani - the Heroes' Cemetery. Young Filipinos, observing recent political disorder, had begun wondering whether Marcos was really that bad. But the disgusted response of millenials and others to the sneaky burial suggests that the pushback against historical revisionism is paying off.
On 15 January 2009, US Airways pilot Chesley 'Sully' Sullenberger successfully executed an emergency water landing on the Hudson River in New York, after both engines on the passenger jet he was flying were disabled following a collision with a flock of geese shortly after takeoff. Miraculously, and thanks largely to the veteran pilot's razor instincts and resourcefulness, all 155 passengers and crew on board escaped the ordeal all but unscathed. In Sully the incident itself is portrayed in near forensic detail (aviophobics might best stay away). But it is the human touches that really make it soar.
There are hints of darkness behind the laughs. We learn Brent spent time in an institution some time after the original 'documentary' aired. He is shunned by his band members, who see themselves as reluctant employees rather than friends. What emerges is a rather affecting portrait of a man whose self-identity is at total odds with reality, and threatening to come crashing disastrously down.
Perhaps what will ultimately convince media and entertainment companies that it is in their interest to be sincere about diversity is that there's money in it. A UCLA study found that in 2014, eight films that had diverse casts (out of 163) also had the highest median global revenues and returns on investment. In addition, TV shows with majority non-white casts rated extremely well, even among white households. This challenges conventions around what media consumers find appealing.
That McGuire, eventually, and presumably under pressure from the club's board and a major sponsor, offered what seemed to be a sincere apology, barely diminishes the fact that the comments were made in the first place, compensates for the lack of real repercussions, or excuses the time and effort that was required to get the incident on the agenda at all. Like a good parable, Mustang illuminates the ethical deficit of such a scenario, where women can so readily be bulldozed by powerful male voices.
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